Bibliografie Jørgen Raasted
1. Kiergård-Julielund. En gårds historie gennem 400 år. Arhus 1945.
2. A fragment of Augustinus De Civitate Dei. [Classica et Mediaevalia 9, 1948, 195-99]
3. (Review) Rebekka Hammering Bang: Antikken i Norge 1814-1950. En Bibliografi, Oslo 1952 [Libri 4, 1954, 369-370]
4. The lacuna after Lucr. II 164 [Classica et Mediaevalia 16, 1955, 84-90]
5. Zwei Fragmente eines Terenz-Kodex (10/11 Jahrhundert). [Classica et Mediaevalia 18, 1957, 120-29]
6. Some Observations on the Structure of the Stichera in Byzantine Rite. [Byzantion 28, 1958, 529-41]
7. Middelalderlige handskriftfragmenter i Danmark, I. [Scandia 26, 1960, 145-60]
8. A Hitherto Unidentified Fragment of the Heirmologion Coislin 220. [Classica et Mediaevalia 22, 1961, 167-71]
9. A Fragment of a Hitherto Unidentified Latin Sermon, textually related to Ps.- Augustinus 106. [Studia Patristica 3, 1961, 108-15]
10. Helgener. [Kulturhistorisk Leksikon for Nordisk Middelalder VI, 1961, 321-27]
11. A Primitive Palaeobyzantine Musical Notation. [Classica et Mediaevalia 23, 1962, 302-10]
12. Kalendarium II. [Kulturhistorisk Leksikon for Nordisk Middelalder VIII, 1963, 133-34]
13. Uppsalajubileet: Liturgi og Kirkemusik. [Kyrkomusikernas Tidning, Organ for Kyrkomusikernas Riksforbund Arg. 30, nr. 17A-B, 1964, 206-207]
14. Orthodoxie und katholische Marienfrömmigkeit. [Fides quaerens intellectum, Henrico Roos sexagenario = Catholica, Saernummer, 1964, 85-90]
15. Om håndskriftstudier. Gennemgang af en raekke konkrete eksempler, forelagt Udvalget vedrerende forslag til lov om ændring i fundats af 18. januar 1760 for Arne Magnussens legat. København 1964.
16. The Production of Byzantine Musical Manuscripts [Actes du XIP congrès international des études byzantines, Ochride 10-16 Septembre 1961, II, Belgrade 1964, 601-606]
17. (Dissertation) Intonation Formulas and Modal Signatures in Byzantine Musical Manuscripts. [Monumenta Musicae Byzantinae, Subsidia VII, Copenhagen 1966]
18. Referat af amanuensis, cand. mag. Jørgen Raasteds disputats 'Intonation Formulas and Modal Signatures in Byzantine Musical Manuscripts' [Magisterbladet 1966, nr. 12, 4]
19. (Review) Kurt Aland: Kurzgefasste Liste der griechischen Handschriften des Neuen Testaments. I. Gesamtübersicht, Berlin 1963 [Libri 16, 1966, 75-76]
20. Some Reflections on Byzantine Musical Style. [Studies in Eastern Chant I, 1966, 57-72]
21. Hirmologium Sabbaiticum, ed. Jørgen Raasted [Monumenta Musicae Byzantinae VIII, 1 and VII, 2, 1-2, Copenhagen 1968-70]
22. Observations on the Manuscript Tradition of Byzantine Music. I: A list of Heirmos call-numbers, based on Eustratiades' edition of the Heirmologion. [CIMAGL 1, 1969, 1-12]
23. Gudstjenestens sprog. [Kirkens Verden 12, 1970, 59-64]
24. A Newly Discovered Fragment of a Fourteenth-century Heirmologion. [Studies in Eastern Chant 2, 1971, 100-11]
25. Observations on the Manuscript Tradition of Byzantine Music. II: The contents of some early Heirmologia. [CIMAGL 8, 1972, 35-47]
26. Voice and Verse in a Troparion of Cassia. [Studies in Eastern Chant 3, 1973, 171-78]
27. (with Jørgen Mejer) A Note on Josephus Latinus in Denmark. [Classica et Mediaevalia, Dissertationes IX, Francisco Blatt septuagenario dedicata, 1973, 371--82]
28. Second Corinthians 4.15. [CIMAGL 13, 1974, 1-12]
29. Modernization and Conversion. Two Types of Notational Change and their Consequences for the Transmission of Byzantine Music. [International Musicological Society, Report of the eleventh congress, Copenhagen 1972 (edd. H. Glahn, S. Sørensen, and P. Ryom), Copenhagen 1974, 775-777]
30. Nogle overvejelser om musikken til antik graesk strofisk poesi. [Museum Tusculanum 28-29, 1976, 3-17]
31. A 17th-Century Manuscript of Byzantine Music, Recently acquired by the Royal Library in Copenhagen (Ny Kgl. Saml. 4466, 4°). [Actes du XIVe congrès international des études byzantines, Bucarest 1971, 565-573]
32. (Review) Anselm: Hvorfor Gud blev menneske. Oversat af Johannes Thulstrup. [Fenix 3/1, 1978, 59-64]
33. A neglected Version of the Anecdote about Pythagoras' Hammer Experiments. [CIMAGL 31a/b, 1979, 1-9]
34. Musical Notation and Quasi-notation in Syro-Melkite Liturgical Manuscripts. [CIMAGL 3 la/b, 1979, 11-37 and 53-77]
35. Byzantine Chant in Popular Tradition. [CIMAGL 31 a/b, 1979, 39-49 and 78-81]
36. Frants Nielsen fra Grenå og Stephanius' Saxo-noter. Et fund i Roskilde Stiftsbibliotek. [Museum Tusculanum 34/35, 1979, 80-85]
37. Opposition ved Ole Smiths disputats 'Studies in the Scholia on Aeschylus I1. [Museum Tusculanum 36-39, 1979, 143-62]
38. Inventar over fragmentsamlingen i Landsarkivet for Fyn (unpublished) 1979.
39. To nyerhvervede byzantinske musikhandskrifter. [Fund og Forskning 24, 1980, 29-36]
40. Naerlæsning og filologisk metode. Om Origenes' Bibelfortolkning. [Museum Tusculantim 40-43, 1980, 481-94]
41. Papadik.. [The New Grove Dictionary of Music and Musicians (ed. Stanley Sadie), London 1980, 14, 166-67]
42. The Interlinear Variants in Byzantine Musical Manuscripts. [Actes du XVe congrès international des études byzantines - Athènes 1976, II, 999-1004, Athens 1981]
43. A Byzantine Letter in Sankt Gallen and Lazarus the Painter. [CIMAGL 37, 1981, 124-38]
44. Guds moder og hendes by. [Fonix 5, 1981, 127-44]
45. The Manuscript Tradition of the Hagiopolites: A preliminary investigation on Ancien fonds grec 360 and its sources. [Texte und Untersuchungen zur Geschichte der altchristlichen Literatur 125, Berlin 1981, 465-78]
46. Zur Analyse der bulgarisch-griechischen Melodie des Doxastikons "Bogonachalnim manoveniem". [Balgarsko muzikoznanie 6, 1982, 68-85; reprinted in CIMAGL 48, 1984, 137-47]
47. Zur Melodie des Kontakions 'H παρθένος σήμερον [Musica Antiqua 5, Acta scientifica, Bydgoszcz 1982, 191-204 (reprinted in CIMAGL 59, 1989, 233- 246)]
48. Monumenta Musicae Byzantinae og studiet af 1000 års græsk-ortodoks kirkesang. [Carlsbergfondet, Frederiksborgmuseet og Ny Carlsbergfondet. Arsskrift 1982, 33-37]
49. (ed.) Symposion fur Musikologie: Byzantinische Musik 1453-1832 als Quelle musikalischer Praxis und Theorie vor 1453. Leitung Jørgen Raasted. [XVI. internationaler Byzantinistenkongress, Wien 4.-9. Oktober 1981, Akten II. Teil, 7. Teilband = Jahrbuch der osterreichischen Byzantinistik 32/7, Wien 1982]
50. Pulse and Pauses in Medieval and Postmedieval Byzantine Chant. [XVI. intemationaler Byzantinistenkongress, Wien 4.-9. Oktober 1981, Akten II. Teil, 7. Teilband, Symposion fur Musikologie, Byzantinische Musik 1453-1832 als Quelle musikalischer Praxis und Theorie vor 1453 = Jahrbuch der österreichischen Byzantinistik 32/7, Wien 1982, 63-72]
51. Discussion (Summary) [XVI. internationaler Byzantinistenkongress, Wien 4.-9. Oktober 1981, Akten II. Teil, 7. Teilband, Symposion fur Musikologie: Byzantinische Musik 1453-1832 als Quelle musikalischer Praxis und Theorie vor 1453 = Jahrbuch der osterreichischen Byzantinistik 32/7, Wien 1982, 131-40]
52. The Hagiopolites. A Byzantine Treatise on Musical Theory, Preliminary edition. [CIMAGL 45, 1983, 1-99]
53. Troping Techniques in Byzantine Chant. [Research on Tropes. Proceedings of a symposium organized by the Royal Academy of Literature, History and Antiquities and Corpus Troporum, Stockholm June 1-3, 1981 = Kungl. Vitterhets Historie och Antikvitets Akademiens Konferenser 8, Stockholm 1983, 89-98]
54. Traditionens gyldne kaede. Byzantinsk kirkemusik i fortid og nutid. [Bysantinsk konst och kultur 3, 1983, 12-16]
55. (with Merete G. Andersen) Inventar over Det Kongelige Biblioteks fragmentsamling [= Det kongelige Biblioteks Specialhjælpemidler 6, Kobenhavn 1983]
56. (with Bjame Schartau) Indices to the Greek Examples in Constantin Floras, Universal Neumenkunde III [CIMAGL 48, 1984, 105-30]
57. Monumenta Musicae Byzantinae 1933-83. [Byzantion 54, 1984, 629-33]
58. Zur Analyse der bulgarisch-griechischen Melodie des Doxastikons "Bogonachamim manoveniem". [CIMAGL 48, 1984, 137-47 (reprinted from Balgarsko muzikoznanie 6, 1982, 68-85)] 1985
59. Dogmatik og bibelfortolkning i Anders Sunesens Hexaemeron. [Anders Sunesen - Stormand, teolog, administrator, digter (ed. Sten Ebbesen), Kobenhavn 1985, 151-69]
60. Holdninger til doden i katolsk og ortodoks ritus. [Døden: Ritualer og forestillinger. Religionshistorisk forenings symposium 23.-24. februar 1985. Chaos, Dansk tidsskrift for religionshistoriske studier, særnummer, Kobenhavn 1985, 124-35]
61. Compositional Devices in Byzantine Chant. [Musica Antiqua. Acta Scientifica VII, Bydgoszcz 1985, 181-204 (reprinted in CIMAGL 59, 1989, 247-270 and From Idea to Sound, Proceedings of the international musicological symposium held at castle Nieborów in Poland, Sept. 4-5 1985, edd. A. Czekanowska, M. Velimirovic, and Z. Skowron, Warzawa 1993, 59-72) ]
62. Chromaticism in Medieval and Post-Medieval Byzantine Chant. A New Approach to an Old Problem. [CIMAGL 53, 1986, 15-36]
63. Съдържание и автори нa т. нap. Агиополитис трактат ('Contents and authors of the so-called Hagiopolites treatise'). [Balgarsko muzikoznanie 10, 1986/3, 52-62]
64. Thoughts on a Revision of the Transcription Rules of the Monumenta Musicae Byzantinae. [CIMAGL 54, 1987, 13-38]
65. Die Jubili Finales und die Verwendung von interkalierten Vokalisen in der Gesangspraxis der Byzantiner. [Griechische Musik und Europa. Antike - Byzanz -Volksmusik der Neuzeit (edd. R.M. Brandl und E. Konstantinou) = Orbis Musicarum, Band 3, Aachen 1988, 67-80]
66. Quis quid ubi quibus auxiliis... Notes on the Transmission of the Hagiopolites. [Scriptorium XIII, l, 1988, 83-92 + PI. 7]
67. Byzantine Heirmoi and Gregorian Antiphons. Some Observations on Structure and Style. [Musica Antiqua VIII, 1: Acta musicologica, Bydgoszcz 1988, 837-62 (reprinted in CIMAGL 59, 1989, 271-296)]
68. Zur Melodie des Kontakions 'H παρθένος σήμερον [CIMAGL 59, 1989, 233-46 (reprinted from Musica Antiqua 5, Acta scientifica, Bydgoszcz 1982, 191-204)]
69. Compositional Devices in Byzantine Chant. [CIMAGL 59, 1989, 247-70 (reprinted from Musica Antiqua. Acta scientifica VII, Bydgoszcz 1985, 181-204)]
70. Byzantine Heirmoi and Gregorian Antiphons. Some Observations on Structure and Style. [CIMAGL 59, 1989, 271-96 (reprinted from Musica Antiqua VTII, 1: Acta musicologica, Bydgoszcz 1988, 837-62)]
71. Byzantine Liturgical Music and its Meaning for the Byzantine Worshipper. [Church and People in Byzantium, Society for the promotion of Byzantine Studies, Twentieth Spring Symposium of Byzantine Studies, Manchester 1986 (ed. Rosemary Morris), Birmingham 1990, 49-57]
72. (with Chr. Gorm Tortzen) Psalterium Compenianum. [Kunsten og Kaldet, Festskrift til biskop Johannes Johansen 4. marts 1990, Herning 1990, 165-183]
73. Autoritet i Byzans. [Autoritet i middelalderen (ed. Brian McGuire), Copenhagen 1991, 51-64]
74. Rhythm in Byzantine Chant. [Rhythm in Byzantine Chant, Acta of the congress held at Hernen Castle in November 1986 (ed. Christian Hannick), A.A. Bredius Foundation, Hernen 1991, 67-90]
75. The "laetantis adverbia" of Aurelian's Greek Informant. [Aspects de la musique liturgique au moyen age, Actes des colloques de Royaumont 1986, 1987 et 1988 (ed. Christian Meyer), Paris 1991, 55-66]
76. Formulaism and Orality in Byzantine Chant. [Cantus Planus, Papers read at the Fourth Meeting, Pecs, Hungary 1990, (edd. László Dobszay, Agnes Papp, and Ferenc Sebó), Budapest 1992, 231-240]
77. The Princeton Heirmologion Palimpsest. [CIMAGL 62, 1992, 219-232]
78. Sticherarium Ambrosianum, edd. Lidia Perria and Jørgen Raasted [Monumenta Musicae Byzantinae XI, Copenhagen 1992]
79. Compositional Devices in Byzantine Chant. [From Idea to Sound, Proceedings of the international musicological symposium held at castle Nieborów in Poland Sept. 4-5 1985 (edd. A. Czekanowska, M. Velimirovi., and Z. Skowron), Warzawa 1993, 59-72 (reprinted from Musica Antiqua. Acta scientifica VII, Bydgoszcz 1985, 181-204)]
80. Koukouzeles' Sticherarion and Sinai gr. 1230. [Laborare fratres in unum, Festschrift László Dobszay zum 60. Geburtstag (edd. J. Szendrei and D. Hiley), Hildesheim 1995 = Spolia Berolinensia, Berliner Beitrage zur Mediavistik 7, 261- 277]
81. Byzantinische Neumen und Kirchengesang, Ein Minimalkusus fur neugierige Musikologen anderer Fachgebiete. [Cantus Planus, Papers read at the Sixth Meeting, Eger, Hungary 1993, II (ed. László Dobszay), Budapest 1995, 879-899]
82. (ed. with Christian Troelsgard) Palaeobyzantine Notations, A Reconsideration of the Source Material. A.A. Bredius Foundation, Hernen 1995.
83. Zur Erforschung der paläobyzantinischen Musikquellen [Paleobyzantine Notations, A Reconsideration of the Source material (edd. J. Raasted and C. Troelsgard), A.A. Bredius Foundation, Hernen 1995, 1-10]
84. Theta Notation and Some Related Notational Types. [Palaeobyzantine Notations, A Reconsideration of the Source Material (edd. J. Raasted and C. Troelsgård), A.A. Bredius Foundation, Hernen 1995, 57-62]
85. Observations on the Chartres and Coislin Versions of the Good Friday Sticheron "Ω πός ή παρανομος συναγωγή [Palaeobyzantine Notations, A Reconsideration of the Source Material (edd. J. Raasted and C. Troelsgård), A.A. Bredius Foundation, Hernen 1995, 131-153] Forthcoming
86. Length and Festivity, On some prolongation techniques in Byzantine Chant, in 'Liturgy and the Arts in the Middle Ages, Studies in honour of Clifford C. Flanigan', edd. Louise Lilje and Nils H. Petersen.
87. Koukouzeles' Sticherarion, in 'Byzantine music, Tradition and Reform1, Proceedings of the Danish Institute at Athens, Supplementary Series II, ed. C. Troelsgård.
88. Kontakion Melodies in Oral and Written Tradition, paper read at a symposium in honour of Kenneth Levy, Princeton, February 1992, ed. Peter Jeffery.
89. 'Aγiopείτικον as a term in the transmission of Byzantine Chant, paper read at the 28th Spring Symposium, Birmingham, March 1994.
90. An Old Melody for Tê ypermachô stratêgô, to be published in 'Studi di musica bizantina in onore di Giovanni Marzi', ed. Alberto Doda.
91. The Musical Tradition of the Byzantine and Slavonic Apolytikia and Kathismata, paper read at the 18th International Congress of Byzantine Studies, Moscow 1991.
92. Kathisma and Sticheron, Two Main Genres of Byzantine Troparia, paper read at the Musica Antiqua Europae Orientalis Congress in Bydgoszcz 1991.