The programme of the 3rd international congress organized by the Institute of Byzantine Musicology of Athens on the theme The Art of Byzantine Chant – Theory and Practice
Athens, 15th-19th October 2003
| Author | Title of paper |
|---|---|---|
Thursday 16th October 2003 | ||
Morning session. Moderator: Antonios Alygizakis | ||
1 | Achilleas Chaldayakis | The Second State of the Polieleos: History, Morphology, Melopoeia |
2 | Maria Alexandru | On Exegeisis in the Papadic Genus |
3 | Dimitrios Balageorgeos | The Melos of the Akolouthiai Psalms According to the Byzantine Typikon of the Great Church |
Late morning session. Moderator: Maria Alexandru | ||
4 | Konstantinos Karagounis | The Cherouvika of Peter Lampadarios Peloponessios and the Evolving Tradition of the Papadic Theses of the Cherouvika in the Byzantine and Metabyzantine Periods |
5 | Grigorios Anastasiou | The Relationship Between Word and Music in Byzantine and Metabyzantine Kratimata |
6 | Flora Kritikou | The Morphology of the Akathistos Hymn and the Legacy of Ioannes Lampadarios Kladas |
7 | Evangelia Spirakou | The Positions of Protopsaltes and Domestikos According to Codices of the Papadic Genus |
8 | Antonios Konstantinidis | Παρατηρήσεις μορφολογικής ανάπτυξης, σύμπτυξης και επεξεργασίας, βασισμένες στις σειρές Χερουβικών του Κωνσταντίνου Πρωτοψάλτου |
Evening session. Moderator: Gregorios Stathis | ||
9 | Ioannis Soukis | Collecting Musical Text of Both Old and New Semeiography According to the "Stathis Series" Method |
10 | Velissarios Gkerzelis | Bizantinografos 2.0. A Complete System for Writing Byzantine Music |
11 | Theodoros Vasileiou | Iakovos Naupliotis - Tradition Keeper and Interpreter of the New Psaltic Direction |
12 | Nektarios Paris | Hermeneutical Observations on the Polieleos Slaves of the Lord in the First Mode Plagal by Peter the Peloponesian |
13 | Dimitrios Nerantzis | Hermeneutical Observations on the Oxeia, Lygisma and Piasma |
14 | Mihail Stroubakis | An Unknown Autographed Manuscript of Antonios the Domestikos (1784-1785) |
15 | Traian Ocneanu | The School of Medieval Chant at the Monastery of Putna: Current State of Roumanian Research |
16 | Charalambos Spiridis | Old and New Meanings in the Diastematics of the Three Genera |
17 | Dimitrios Sourlantzis | The Theory and Practice of the Varis Mode in Both its Diatonic and Enharmonic Forms |
Friday 17th October 2003 | ||
Morning session. Moderator: Gerda Wolfram | ||
1 | Christian Troelsgaard | Stylistic Variation in the Old Sticherarion |
2 | Ioannis Arvanitis | Hints and Proofs Regarding the Short Exigiseis of the Old Sticherarion |
3 | Antonios Alygizakis | Singular Cases Specific to the Sticheraric Chant |
4 | Nicolae Gheorghiţă | Some Observations on the Structure of the Νουθεσία προς μαθητάς by Chrysaphes the Younger from the Gr. ms. No 840 in the Library of the Romanian Academy (1821) |
Late morning session. Moderator: Christian Troelsgaard | ||
5 | Gerda Wolfram | The Compositional Style of the Music Theorist Gabriel Hieromonachos |
6 | Thomas Apostolopoulos | Morphological Observations on Peter the Peloponesian's Doxologies in the New "Argo" Sticheraric Style |
7 | Konstantinos Terzopoulos | Poikilia terpousa or Melopoeia in the Anthology of Konstantinos Bizantios, the protopsaltes of the Great Church of Christ |
8 | Emmanouil Giannopoulos | The Melodic Vestment of Hymnography in the Melopoeia of the New Sticherarion |
9 | Paulos Chatzipapas | Morphological Characteristics of Melopoeia of the Sticheraric Genus During the Last Period of Musical Semeiography (After 1814) |
Evening session. Moderator: Dimitrios Balageorgeos | ||
10 | Georgios Zosimos | Iviron Monastery's Chant Tradition in the 17th Century |
11 | Ioannis Liakos | Chanters of Thessaloniki |
12 | Sevasti Mazera | The Megalinaria of the Mother of God in Psaltic Art – a Brief Diachronic Approach |
13 | Georgios Smanis | Non-Ecclesiastical Music – a First Aproach |
14 | Basileios Basileiou | The New "Argo" Type of Sticheraric Melopeia |
15 | Ioannis Papahronis | Panagiotis Agathoklis and His Theoretikon |
16 | Miltiadis Pappas | Η συμβολή του μουσικού οργάνου δια τον καταρτισμόν μεθόδου καταλλήλου του σπουδάζειν ημετέρους τε και ξένους την καθ’ ημάς μουσικήν, τη βοήθεια μουσικού οργάνου και τίνος |
17 | Georgios Patronas | The Didactics and Pedagogy of Byzantine Chant |
18 | Andreas Lanaras | Morphological Analysis to the Doxastika (Triodion and Penticostarion, Holy Week Excepted) in the Second Mode by Jacob the Propsaltes |
19 | Polihronis Ntalasis | Brief Remarks on the Rhythm of Byzantine Melopoeia |
Saturday 18th October 2003 | ||
Morning session. Moderator: Charalambos Spiridis | ||
1 | Spiridon Antoniou | The Musical Tradition of the Automela |
2 | Georgios Chatzitheodorou | The Heirmologic Melos in the Oral Tradition and in Printed Form |
3 | Georgios Konstantinou | The Heirmologic Melos in the Chromatic Genus |
Evening session. Moderator: Achilleas Chaldayakis | ||
4 | Antonios Hatzopoulos | Teaching Melodic Genera in the Syllabus of the Patrairchal Schools of Ecclesiastical Music at Constantinople |
5 | Christodoulos Vasiliadis | Musical Codex No. 30, a Calophonic Heirmologion of 1823 of Montenegro Monastery. Psaltic Traditions in 19th Century Cyprus and Its Relationship to the Third School of Patriarchal Music of Constatinople (1815-1821) |
6 | Gregorios Stathis | Ms. Cutlumuş 440 – the Translation of the Heirmologion of Hierarch Balasios the Nomofilax |